Statement

 

My work explores the human condition, delving into the intricacies of human existence. As my practice evolved, I witnessed a shift in its conceptual expression of human emotion. The pieces started to assume a more figurative shape. This evolution led me to consider whether the subconscious development of these forms was influenced by memories from a time when I worked closely with performative artists.

Captivated by their unwavering commitment to their art despite its challenges, I began contemplating the human experience through the performer. Taking a more biographical approach, I started reading the stories of other performative artists, which led me to Vaslav Nijinsky, referred to as the greatest dancer of the early twentieth century.

I was drawn to Nijinsky while reading The Diary of Vaslav Nijinsky (Nijinsky, 2006). The diary was a starting point for exploration, presenting vast insight into Nijinsky’s vulnerability. The diary entries provide a raw and unfiltered glimpse into Nijinsky's mind, revealing his struggles with mental illness and his complex relationship with his art. I seek to capture the essence of Nijinsky's emotional complexities.

Movement plays a crucial role in establishing mood; exaggerated and distorted shapes significantly enhance the perception of motion. I include only the essential elements necessary to evoke specific emotions, thereby encouraging deeper interpretation and personal engagement from the viewer. The minimalist canvases, meticulously crafted from a combination of muslin fabric and acrylic paint, present dynamic, intricate, and sensuous textures that invite contemplation of the complexities of the human mind.